This is a classic for a reason. Nothing I say about this novel will diminish its relevance, but I must be honest with myself and others when I say that I didn’t really enjoy it.
How to Write an Autobiographical Novel – Alexander Chee
Alexander Chee’s essay collection is first and foremost a showcase of his nearly unmatched talent. It's a celebration of the craft, of teaching and of the relentless pursuit of one’s artistic vision. Yet, for all its brilliance, the book is dreadfully boring.
Real Americans – Rachel Khong
Exploring the complexities of family, identity and the American Dream – plus the ethics of genome editing for good measure – it's the type of novel that could easily veer into literary excess but Khong showed a remarkable knack for balancing heavy ideas with beach read sensibilities.
The Wedding People – Alison Espach
There’s only so many ways a “person hellbent on dying finds a reason to live again” plot can feel fresh. For the first quarter of the novel it felt very familiar (I couldn’t help but think of Matt Haig’s “The Midnight Library”), but Espach quickly drew me into the lives of Lila and Phoebe, two women navigating a week of unexpected soul-searching.
Severance – Ling Ma
The alternating timelines – one focused on a small group of Shen Fever refugees, and the other Candace’s experiences as the daughter of Chinese immigrants – allow Ma the runway to take her core themes in interesting directions, but it felt like the merging of two novels into one versus a cohesive narrative.
Fight Club – Chuck Palahniuk
Chuck Palahniuk's “Fight Club” has gained cult status for its literary transgression and societal critique, but the novel is nothing more than a sophomoric and misogynistic rant. It’s the type of book that someone reads in their twenties and finds edgy and dangerous, but that’s simply because it is effective at appealing to those with an underdeveloped world view.
Bury Your Gays – Chuck Tingle
While not aiming for highbrow literature, it offers a perfect mixture of astute social commentary, a dash of camp and a fair amount of meta grievances. We may not know the true identity of Chuck Tingle, but it’s fair to say that like R.F. Kuang and “Yellowface,” he has a proverbial axe to grind with the entertainment machine.
Hi Honey, I'm Homo!: Sitcoms, Specials, and the Queering of American Culture – Matt Baume
An interesting retrospective on how sitcoms helped pave the way for broader queer acceptance, with “Hi Honey, I’m Homo!” Matt Baume offers a mostly lighthearted read for fans of pop culture and LGBTQIA+ history.
Through original and sourced research, the author traced the often fraught path to introduce positive portrayals of queer people to the masses, but this isn’t the kind of behind-the-scenes tell-all that will help elevate the book beyond its niche target audiences.
The History of Sound: Stories – Ben Shattuck
Ben Shattuck has easily delivered a contender for my favorite read of 2024 by weaving together 12 richly drawn, interconnected narratives that span centuries. Masterfully blending elements of historical and contemporary fiction, romance and Americana, there is a little something for everyone in this Northeast-set collection.
This House Is Haunted – John Boyne
"This House is Haunted" channels the spirit of a Victorian gothic novel with John Boyne capturing the genre's signature atmosphere and whispered gossip about dastardly deeds at a remote English estate. This unique blend of classic setting and contemporary heroine is the novel's greatest strength in what is otherwise a passably but mostly mediocre affair.
Beautyland – Marie-Helene Bertino
My enjoyment of the novel fully hinged on Adina being a true alien. When Bertino made me question this fact, everything that preceded the reveal felt tawdry. While others seem to enjoy this, it ruined an already mediocre story for me.
Four Squares – Bobby Finger
Bobby Finger did the near impossible. He somehow merged contemporary and historical fiction, paired it with a dash of literary depth, and wrapped it in a cozy sheen perfect for a lazy day on the beach. Yes, dear readers, he somehow made reading about sustained, collective trauma heart-warming. Color me surprised!
No Road Home – John Fram
“No Road Home” is a good read, but it’s not groundbreaking. Fans of religious-themed horror and dastardly families (think “Ready or Not”) will appreciate this more than most. Readers picking this up hoping for a queer-focused story, like “The Bright Lands,” may be let down. Shortcomings aside, I’d still give Fram another shot.
Ducks, Newburyport – Lucy Ellmann
Expectation: A unique journey into the mind of a Midwest housewife and baker.
Reality: A 1,000+ page run on sentence with no plot, or seemingly, purpose outside of threading random topics together.
Find Me – André Aciman
Expectation: Alternating narratives of Elio and Oliver as they make the slow march back into each other’s lives.
Reality: Like four distinct mini-novellas, each offers a slice-of-life look into the motivations and relationships of the men from “Call Me By Your Name.” If you are patient enough for the journey, it pays off.
Call Me By Your Name – André Aciman
Expectation: A slow-burn coming-of-age story about forbidden love.
Reality: A beautiful, sensual and deep exploration of desire and connection. While closely aligned to the film adaptation, the source material is worth the read.
How We Fight For Our Lives – Saeed Jones
I had put off reading Saeed Jones' "How We Fight For Our Lives" for years, expecting a depressing, harrowing manifesto about the multitude of ways America fails Black men. Let this be a lesson in not judging a book by its cover, because Jones instead offers readers a sometimes funny and relatable exploration of growing up gay.
The Times I Knew I Was Gay – Eleanor Crewes
A choppy narrative and sparse illustrations made it difficult to truly connect with the emotional turmoil Crewes walks the reader through. Initially intended as a 10-page micro-comic, it certainly appears that was the right length for a story that felt incredibly thin.
The Groom Will Keep His Name: And Other Vows I've Made About Race, Resistance, and Romance – Matt Ortile
Between the bloat, uneven pacing and self-absorption you’ll quickly find yourself tired of the lecture and wondering how a book that started promisingly can derail so quickly.
Brave Face – Shaun David Hutchinson
Hutchinson’s conversational writing style allows readers to connect with his experiences and fill in the blanks with their own. It's a reminder that sometimes you’re simply hiding scabs, but you’re never too old to heal the wound. While not necessarily targeted to young adults, the author – a prolific writer in that genre – uses short, fast-paced chapters that mirror the chaos of his internal life.