Expectation: A slow-burn coming-of-age story about forbidden love.
Reality: A beautiful, sensual and deep exploration of desire and connection. While closely aligned to the film adaptation, the source material is worth the read.
Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
All in Audiobook
Expectation: A slow-burn coming-of-age story about forbidden love.
Reality: A beautiful, sensual and deep exploration of desire and connection. While closely aligned to the film adaptation, the source material is worth the read.
I had put off reading Saeed Jones' "How We Fight For Our Lives" for years, expecting a depressing, harrowing manifesto about the multitude of ways America fails Black men. Let this be a lesson in not judging a book by its cover, because Jones instead offers readers a sometimes funny and relatable exploration of growing up gay.
Hutchinson’s conversational writing style allows readers to connect with his experiences and fill in the blanks with their own. It's a reminder that sometimes you’re simply hiding scabs, but you’re never too old to heal the wound. While not necessarily targeted to young adults, the author – a prolific writer in that genre – uses short, fast-paced chapters that mirror the chaos of his internal life.
Expectation: A dark and twisted gay “Bonnie and Clyde.”
Reality: Despite its intriguing premise and well-written characters, "These Violent Delights" is a super slow-burning thriller with too many unresolved plot points that left me wanting more.
Complicated and challenging, Walt Odets' "Out of the Shadows" is not a comfortable read. Part psychology text and part memoir manifesto, it is aimed at helping cis-gendered gay men live authentic and complete lives: emotionally, physically and sexually.
Expectation: A nuanced and authentic portrayal of the early AIDS epidemic in small town America.
Reality: A well-meaning but melodramatic story that felt a bit like young adult fiction.
Expectation: A sprawling saga about one of India’s crime families.
Reality: Less literary than anticipated, I was mostly entertained while also being annoyed by the repetitive action and predictable tropes.
Expectation: A straight-forward re-imagining of “The Adventures of Huckleberry Finn.”
Reality: A dark, engaging story that builds on the source material and delivers a highly entertaining read more attune to our modern sensibilities.
Expectation: To be wowed by this stalwart of American literature.
Reality: A bit let down, and not just because of the terrible racism. Essentially this is a story of vignettes with a very loose plot.
Expectation: A “city as the sole connection” collection that reads more like a wannabe novel.
Reality: A sometimes funny, sometimes heartbreak collection about the new American experience that succeeds thanks to its subtlety. There are no bad apples in the bunch.
While marketed as middle grade, this memoir transcends the young adult genre with its matter-of-fact honesty and subtle lessons about tolerance, faith and perseverance. Just like Scheherazade, Nayeri uses storytelling for survival.
Expectation: A powerful story about the human/nature connection and how an ever-accelerating eco-calamity will destroy us all.
Reality: Bloated and boring, there was far too much happening and very little of it was interesting. I’m struggling to see how this won the Pulitzer Prize.
Expectation: Another twisty supernatural thriller from a rather reliable author.
Reality: St. James delivered a lazy, convoluted plot that asked more from the reader than should’ve been allowed.
Expectation: A lighthearted break-up story with the usual rom-com tropes.
Reality: A surprisingly affecting exploration of self-discovery and navigating heartbreak from the perspective of a dumped male.
Expectation: Writers jumping from poetry to fiction often struggle with pacing and characterization, so I expected an ostentatious mess.
Reality: Akbar's poetic prose and captivating characters shine through the non-linear structure, making “Martyr!” an engaging read despite its occasional superfluousness.
Expectation: A straight-forward mystery thriller framed around 90s nostalgia.
Reality: More literary fiction than traditional suspense, Makkai’s use of hindsight evaluation to move the plot forward had me hooked.
Expectation: A study in modern Indigenous life in California told through interwoven stories.
Reality: A powerful but uneven exploration of Native American identity that falters a bit as both a sequel/prequel to “There There” but shines with a stellar audiobook narration.
Making my way through this epic often felt like a slog. It was frustratingly repetitive but also enlightening, forcing me to re-examine my own biases against someone who, I think now, is largely misunderstood as an artist and person.
Expectation: An offbeat novel with commentary about misplaced outrage.
Reality: Elements that could’ve lifted this out of typical coming of age territory weren’t mined to completion by the author.
Expectation: The author branching out into different genres during his peak era of the early 1980s.
Reality: Given how famous two of the stories have become thanks to stellar film adaptations, I was left a bit disappointed in the source material.