Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
Expectation: A study in modern Indigenous life in California told through interwoven stories.
Reality: A powerful but uneven exploration of Native American identity that falters a bit as both a sequel/prequel to “There There” but shines with a stellar audiobook narration.
Making my way through this epic often felt like a slog. It was frustratingly repetitive but also enlightening, forcing me to re-examine my own biases against someone who, I think now, is largely misunderstood as an artist and person.
Expectation: An offbeat novel with commentary about misplaced outrage.
Reality: Elements that could’ve lifted this out of typical coming of age territory weren’t mined to completion by the author.
Expectation: The author branching out into different genres during his peak era of the early 1980s.
Reality: Given how famous two of the stories have become thanks to stellar film adaptations, I was left a bit disappointed in the source material.
For expecting this to be a frothy history, I was surprised by the detailed explorations of how the sausage was/is made – from studio system contracts to politicking and power grabs. People looking for an exhaustive recap of the awards themselves will be disappointed as Schulman presents more a chronicle of Hollywood in 11 eras, with the Oscars serving as a (sometimes loose) connective thread to introduce the films, actors and creators that defined each generation.
Expectation: An assortment of psychological thrillers buoyed by the author’s famous short story, “The Lottery.”
Reality: While each story has elements of intrigue, this was a rather boring outing. If you’re interested in “The Lottery,” skip the full collection and seek it out as a standalone.
Expectation: A heavy-handed young adult classic that prioritizes hijinks over meaningful character development and scenario exploration.
Reality: Thoughtful and engrossing, the story had me hooked from the first chapter. This is a fantastic historical fiction introduction to America’s racial injustices.
Expectation: Stories to chill-the-bones from a noted voice in the Black horror genre.
Reality: Interesting scenarios and characters are largely overshadowed by ancillary details and incomplete endings.
Expectation: A “Wednesday” meets “The Sixth Sense” gay horror-romance set in suburban Atlanta.
Reality: The subject matter was darker than expected – a plus – but the execution faltered near the end.
Expectation: A semi-autobiographical coming-of-age story.
Reality: A religious-soaked, multi-layered family drama.
Expectation: A searing exploration of race and class told from the perspective of twin sisters who live on opposite ends of the color line.
Reality: Structured to be palatable for the masses, it’s entertaining enough but far from the powerful story I expected given the near universal acclaim it has received.
Expectation: A dramedy about self-discovery and queer acceptance.
Reality: Terrible dialogue ruined the few bright spots in an otherwise undercooked story.
For readers that want to brush up on the Civil Rights Movement of the 1960s, the “March” series is an exemplary feat of storytelling that exposes the hypocrisy, violence and injustice that spurred the movement while celebrating the everyday people who protested – and died – for desegregation and the passing of the Voting Rights Act.
Expectation: A racially-charged exploration of college life in the Southern United States.
Reality: A dissection of capitalism from the perspectives of different students, professors and resident advisors delivered with biting commentary and razor-sharp dialogue.
Expectation: An action-packed post-apocalyptic First Nations-set thriller.
Reality: A slowburn story that uses the end-of-times as an allegory for settler colonialism, the Indigenous focus is what sets this apart from other, similar tales.
While not as well-known in the mainstream as the Pride flag, the pink triangle – the Nazi concentration camp symbol for prisoners convicted under Paragraph 175, the German law that criminalized homosexual activity among men – is an enduring and important marker of queer history that morphed from an emblem of shame into a symbol of activism.
After a choppy start, Edgar Gomez’s engrossing memoir, “High-Risk Homosexual” morphed into an interesting dissection of cultural expectations, acceptance and self-discovery.
Expectation: A sweeping story of hardship and survival set against major conflicts of the Vietnam War.
Reality: Informative and engrossing, if a tad long, Kristin Hannah once again delivers an historical fiction epic but continued trauma dumping on the main character lessens her credibility.
A mashup of true crime, memoir and history, the story is more glossy magazine feature than stodgy tome and stands as a love letter to libraries, and the crucial role these institutions play in building healthy communities and safeguarding democracy.
Expectation: An immersive story about one family’s experiences navigating the shifting social and political changes of a fictional Latin American village.
Reality: Some of the narrative choices — structure and naming of characters, mainly — made this difficult to follow, but the beauty of Gabriel García Márquez’s prose still shone through.
