Expectation: Another twisty supernatural thriller from a rather reliable author.
Reality: St. James delivered a lazy, convoluted plot that asked more from the reader than should’ve been allowed.
Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
All in Audiobook
Expectation: Another twisty supernatural thriller from a rather reliable author.
Reality: St. James delivered a lazy, convoluted plot that asked more from the reader than should’ve been allowed.
Expectation: A lighthearted break-up story with the usual rom-com tropes.
Reality: A surprisingly affecting exploration of self-discovery and navigating heartbreak from the perspective of a dumped male.
Expectation: Writers jumping from poetry to fiction often struggle with pacing and characterization, so I expected an ostentatious mess.
Reality: Akbar's poetic prose and captivating characters shine through the non-linear structure, making “Martyr!” an engaging read despite its occasional superfluousness.
Expectation: A straight-forward mystery thriller framed around 90s nostalgia.
Reality: More literary fiction than traditional suspense, Makkai’s use of hindsight evaluation to move the plot forward had me hooked.
Expectation: A study in modern Indigenous life in California told through interwoven stories.
Reality: A powerful but uneven exploration of Native American identity that falters a bit as both a sequel/prequel to “There There” but shines with a stellar audiobook narration.
Making my way through this epic often felt like a slog. It was frustratingly repetitive but also enlightening, forcing me to re-examine my own biases against someone who, I think now, is largely misunderstood as an artist and person.
Expectation: An offbeat novel with commentary about misplaced outrage.
Reality: Elements that could’ve lifted this out of typical coming of age territory weren’t mined to completion by the author.
Expectation: The author branching out into different genres during his peak era of the early 1980s.
Reality: Given how famous two of the stories have become thanks to stellar film adaptations, I was left a bit disappointed in the source material.
Expectation: An assortment of psychological thrillers buoyed by the author’s famous short story, “The Lottery.”
Reality: While each story has elements of intrigue, this was a rather boring outing. If you’re interested in “The Lottery,” skip the full collection and seek it out as a standalone.
Expectation: A heavy-handed young adult classic that prioritizes hijinks over meaningful character development and scenario exploration.
Reality: Thoughtful and engrossing, the story had me hooked from the first chapter. This is a fantastic historical fiction introduction to America’s racial injustices.
Expectation: Stories to chill-the-bones from a noted voice in the Black horror genre.
Reality: Interesting scenarios and characters are largely overshadowed by ancillary details and incomplete endings.
Expectation: A “Wednesday” meets “The Sixth Sense” gay horror-romance set in suburban Atlanta.
Reality: The subject matter was darker than expected – a plus – but the execution faltered near the end.
Expectation: A searing exploration of race and class told from the perspective of twin sisters who live on opposite ends of the color line.
Reality: Structured to be palatable for the masses, it’s entertaining enough but far from the powerful story I expected given the near universal acclaim it has received.
Expectation: A racially-charged exploration of college life in the Southern United States.
Reality: A dissection of capitalism from the perspectives of different students, professors and resident advisors delivered with biting commentary and razor-sharp dialogue.
After a choppy start, Edgar Gomez’s engrossing memoir, “High-Risk Homosexual” morphed into an interesting dissection of cultural expectations, acceptance and self-discovery.
A mashup of true crime, memoir and history, the story is more glossy magazine feature than stodgy tome and stands as a love letter to libraries, and the crucial role these institutions play in building healthy communities and safeguarding democracy.
Expectation: An immersive story about one family’s experiences navigating the shifting social and political changes of a fictional Latin American village.
Reality: Some of the narrative choices — structure and naming of characters, mainly — made this difficult to follow, but the beauty of Gabriel García Márquez’s prose still shone through.
Expectation: A steamy political thriller about two up and coming politicos balancing a clandestine, queer love affair under the specter of the Lavender Scare.
Reality: Essentially a nonfiction novel with unlikable characters and flat development. Do yourself a favor and skip it in favor of the limited television series.
Expectation: A straightforward historical fiction journey through a remote area of New England.
Reality: A dark, but accessible fairytale filled with ghosts – both literal and figurative – that excels at making the reader care about the dozen or so characters we meet. It was one of the more creative novels I read this year.
Expectation: A richly-layered tearjerker that tracks the ups and downs of four sisters and the people in their orbit.
Reality: Too many characters without development and repetitive sections showed the author couldn’t scale her storytelling ambition.