Does listening to audiobooks count as reading? Here it does. Let’s discuss your favorite reads — or listens.
All tagged good not great
Despite its length, “IT” stands as one of Stephen King’s most unsettling and complex works, effectively weaving psychological and supernatural horror with real-world brutality. Although King has made a career out of exploring dark and unhinged themes, “IT” pushes those boundaries.
The alternating timelines – one focused on a small group of Shen Fever refugees, and the other Candace’s experiences as the daughter of Chinese immigrants – allow Ma the runway to take her core themes in interesting directions, but it felt like the merging of two novels into one versus a cohesive narrative.
“No Road Home” is a good read, but it’s not groundbreaking. Fans of religious-themed horror and dastardly families (think “Ready or Not”) will appreciate this more than most. Readers picking this up hoping for a queer-focused story, like “The Bright Lands,” may be let down. Shortcomings aside, I’d still give Fram another shot.
Expectation: A study in modern Indigenous life in California told through interwoven stories.
Reality: A powerful but uneven exploration of Native American identity that falters a bit as both a sequel/prequel to “There There” but shines with a stellar audiobook narration.
Expectation: An offbeat novel with commentary about misplaced outrage.
Reality: Elements that could’ve lifted this out of typical coming of age territory weren’t mined to completion by the author.
Expectation: The author branching out into different genres during his peak era of the early 1980s.
Reality: Given how famous two of the stories have become thanks to stellar film adaptations, I was left a bit disappointed in the source material.
Expectation: A searing exploration of race and class told from the perspective of twin sisters who live on opposite ends of the color line.
Reality: Structured to be palatable for the masses, it’s entertaining enough but far from the powerful story I expected given the near universal acclaim it has received.
Expectation: A sweeping story of hardship and survival set against major conflicts of the Vietnam War.
Reality: Informative and engrossing, if a tad long, Kristin Hannah once again delivers an historical fiction epic but continued trauma dumping on the main character lessens her credibility.
A mashup of true crime, memoir and history, the story is more glossy magazine feature than stodgy tome and stands as a love letter to libraries, and the crucial role these institutions play in building healthy communities and safeguarding democracy.
Expectation: A supernatural horror story focused on a lesbian couple navigating the devastating aftermath of an extended trip under the sea.
Reality: Slowly plotted and more literary than mindless, this is for people who like their horror light and their emotions heavy.
Expectation: A dramedy celebrating the life of a norm-busting female scientist in the 1950s and 1960s.
Reality: What was a expected but with the addition of a talking dog (bonus), but I was let down by how conveniently Garmus tied up the plots and how most characters remained two-dimensional.
Expectation: A light-hearted English mystery.
Reality: Darker than expected with a somewhat problematic undertone.
Expectation: Honestly, I’m not sure but it wasn’t a short story collection masquerading as a novel.
Reality: Interesting concepts overshadowed by unlikable characters and absolutely zero plot. While a step forward in writing for the author, this was a dull read.
Expectation: A gut-punch queer love story set within the backdrop of World War I trenches.
Reality: Stilted dialogue, a ping-pong narrative structure and an unbelievable connection between the two main characters made this rather disappointing.
Expectation: A story about the forbidden love between two soldiers in World War I.
Reality: Half of the novel is filler, but Boyne delivers some shocking revelations and a satisfying conclusion.
Expectation: An immersive and exceptional story about a dark period of American history.
Reality: Needlessly long and a little boring, I was completely turned off by Scarlett and Rhett and struggled to see why the characters are so popular.
Expectation: A race around the clock thriller that taps into shared anxieties about control and opportunity from different experiences on the class spectrum.
Reality: Often ridiculous but frequently entertaining, the good outweighed the bad thanks to strong character development.
Expectation: A modern take on the world’s oldest profession.
Reality: Depressing and somber, the story went places I didn’t expect, but outside of the main character, I didn’t care much for what was happening.
Expectation: A heartwarming coming of age story about overcoming adversity and supporting one another.
Reality: Darker and more poignant than expected, but a tad uneven and overstuffed even for its slim length. However, when the story soars, it’s transformative.
My scope of what is deemed a “classic” has shifted over the years, and it has made diving into the back catalog of literature a lot more fun. Today, I view a classic as any novel published three decades ago that has developed a legacy. The classics I read this year - about 10 percent of my total reading - spanned the genres of science fiction, young adult and literary fiction by some authors well-known and lesser so.
